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#a1fdc3Color Analysis

rgb(161, 253, 195)

device-cmyk(36% 0% 23% 1%)

hsl(142, 96%, 81%)

hwb(142 63% 1%)

lch(92.42% 42.14 153.47)

aquamarine (Closest)

aquamarine
#a1fdc3 Color Code

#a1fdc3 in the RGB color model is composed of 161% red, 253% green, and 195% blue. In the CMYK model, it converts to 36% cyan, 0% magenta, 23% yellow, and 1% black. The HSL for this color is 142 degrees, with a saturation of 96% and a lightness of 81%. In the LAB color model, the values are L: 92.42, a: -37.7, b: 18.82.

hex
#a1fdc3
rgb
161, 253, 195, 1
hsl
142, 96, 81, 1
hsv
142, 36, 99, 1
cmyk
36, 0, 23, 1, 1
hwb
142, 63, 1, 1
lab
92.42, -37.7, 18.82, 1
lch
92.42, 42.14, 153.47, 1
xyz
61.17, 81.65, 49.01, 1
Color Contrast Check

Check the color contrast between Background Color and Text Color to see if it meets WCAG standards.

17.35

Background Color
Text Color

Most American diets, even bad ones, provide more than enough calcium for bone health, especially for men.

- Andrew Weil

Most American diets, even bad ones, provide more than enough calcium for bone health, especially for men.

- Andrew Weil

Variations

Explore color variations including Tints, Shades, Tones, Grayscale, Saturation, and Hue.

Tints

In color theory, a Tint is a mixture of a color with white, which increases its lightness.

Shades

In color theory, a Shade is a mixture of a color with black, which reduces its lightness.

Tones

In color theory, a Tone is a mixture of a color with gray, which reduces its lightness.

Color Harmonies

Color harmonies (Harmony) in color theory refer to a balance and coordination of colors, which is about creating a visually pleasing and balanced effect by pairing different colors. This approach to color coordination is based on properties like hue, saturation, and brightness to ensure that various colors look harmonious and unified together.

Color Blindness Simulator

Color blindness (Blindness) simulation, helping designers and developers create more accessible products by simulating the visual effects of color blindness.

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